博物心美學．自然森呼吸 ──30幅蕨類博物繪．30個沉澱心靈的祕方 筆筒樹高大的身影曾和恐龍一起睥睨世界，水中的田字草散播著一個個幸運的符碼， 觀音座蓮的葉托隱藏著宗教的意涵，海金沙的綠網是一片葉子的化身， 骨碎補的羽片是伏地張翼的美麗翅膀…… 每一株蕨，都是美的創造家，演繹綠色的能力令人無語， 創造極簡與繁複的對比讓人詞窮，幼葉捲旋的曲線也成為新藝術的要角！ 從山林到溪畔，綠意盎然的蕨類盛宴， 永遠安靜而優雅的提出邀請...... ＊【本書重點與特色】 一本獻給博物生活家的綠色饗宴之書，帶您細品大自然之蕨類之美： ．附加局部配圖與觀察說明的手繪生態畫冊。 ．可單幅裝裱的藝術圖卡。 ．珍藏送禮皆適宜的精緻禮物書。 【森林Forest】 松葉蕨、觀音座蓮、粗齒紫萁、團扇蕨、華中瘤足蕨、燕尾蕨、台灣水龍骨、蒿蕨、南洋巢蕨、東方狗脊蕨、杯狀蓋骨碎補、藤蕨、...(展开全部)

小說頻頻獲獎的葛亮，在這本書裡，以影評與有關電影的散文，和讀者見面。電影是葛亮在小說之外的另一至愛。本書所談影片範圍廣泛：有香港片、內地片、台灣片、日韓片，也有歐美的老電影和近年上映的片子。 從影片內容談到男女主角，從文化背景談到導演手法，作者都用一種清新的、很有生氣的筆觸來敘述或評論。他敏感有致的觀察和山色的文字功力，在書內表現得淋漓盡致。尤為精彩的是他對光影中的童年、少年與青年生活的追憶與思索，讀後令人感懷。 在我念中學的時候，讓我開蒙的還不是文學，而是一份叫《中國學生周報》上的影評。我心儀的那些影評人當時大概都不到三十歲。 從影評到歐洲（其實還有日本、印度和美國）「藝術片」，是我成長期朝聖之路。 每一代人都需要當代人寫的好影評，但寫影評的藝術已很少人能掌握。葛亮年輕，對電影執著，文字的文學感強，這本集子對香港影評界和他本人，或許都是一個飛揚。 ...(展开全部)

Gallery of the Infinite is a mathematician's unique view of the infinitely many sizes of infinity. Written in a playful yet informative style, it introduces important concepts from set theory (including the Cantor Diagonalization Method and the Cantor-Bernstein Theorem) using colorful pictures, with little text and almost no formulas. It requires no specialized background and i...(展开全部)

In the tradition of CELESTIAL GALLERY, these striking mandala-style paintings of Buddhist goddesses are presented, together for the first time, in a distinctive format, hand-bound and two feet tall. Romio Shrestha and his team of artisan monks render postmodern interpretations of an age-old Tibetan artistic tradition. Made from malachite, lapis, and marigolds, and painted at ti...(展开全部)

Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity—and then seemingly disappeared. Or d...(展开全部)

Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity—and then seemingly disappeared. Or d...(展开全部)

Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity—and then seemingly disappeared. Or d...(展开全部)

Reissued on the tenth anniversary of its publication, this classic work on our environmental crisis features a new introduction by the author, reviewing both the progress and ground lost in the fight to save the earth. This impassioned plea for radical and life-renewing change is today still considered a groundbreaking work in environmental studies. McKibben's argument that th...(展开全部)

Alexander von Humboldt (1769-1859) is the great lost scientist: more things are named after him than anyone else. There are towns, rivers, mountain ranges, the ocean current that runs along the South American coast, there's a penguin, a giant squid - even the Mare Humboldtianum on the moon. His colourful adventures read like something out of a Boy's Own story: Humboldt explored...(展开全部)